Irresistible Rise? Brecht’s V‑Effekt from The Threepenny Opera to Watchmen
By Christopher Richardson Reviewing a 2018 production of Bertolt Brecht’s 1941 play The Resistible Rise of Arturo Ui in New York City, Alexandra Schwartz observed that, “the play’s warning about an unimaginable future now feels like a bitter mockery of …
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